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His Fight to Get to Athens
Robert Dover Has a New Horse and His Eye on a Medal
By
Patricia Nell Warren
Special to Outsports.com
Illustration of Robert Dover and
Kennedy by Patricia Nell Warren
As 10,500
athletes arrived in Athens, 200 will be competing on four legs, not
two. Equestrian sports – show jumping, 3-day eventing, dressage –
are the only ones on the Olympic program that feature a partnership
effort between a human and an animal. Twenty-six nations have sent
their best riders and horses.
Many observers
agree that the 2004 U.S. equestrian team is possibly our strongest
ever. And we’ll need that strength as we head into old rivalry with
European riders, who often beat the horseshoes off us with their
centuries of horse tradition. The Germans are our biggest nemesis –
overall they’ve won 32 equestrian golds, compared to nine golds for
the U.S. We’ve done well in jumping and eventing, but less well in
dressage -- while we’ve won six bronzes in team dressage, we’ve
never
gold- or silver-medaled in the individual competition.
But 2004 may
change all that. Observers assert that the U.S. has a shot at its
first individual medal in dressage. One rider with that shot is
Robert Dover – who also happens to be one of the few out athletes at
the Games.
Dover has one of
the most brilliant records in U.S. equestrian sport. But, at age 48,
he’s coming back after a three-year retirement. He has a wonderful
new horse --
FBW Kennedy, who reached #7 in the world dressage
rankings under his previous owner. But as a combination, Dover and
Kennedy are new to international competition – they’ve been together
for only 11 months. In dressage, it takes time to develop a solid
partnership.
A Horseman
Comes Out
Hints of silver
in Dover’s dark curly hair are a reminder that he’s been to five
Olympics already. In 1992, 1996 and 2000 Dover carried the U.S.
dressage contingent to bronzes, the first since 1976. He’s a popular
mainstay of the U.S. Equestrian Team -- was elected team captain
five times by the other riders, and has dedicated himself to
team-building by teaching and encouraging other riders. He served on
the U.S. Olympic Committee itself. In 1994 he was named USOC’s Male
Equestrian Athlete of the Year.
DressageDaily
summed it up: “What would the American Olympic dressage team do
without Robert Dover?”
Despite the high
visibility, Dover has not felt compelled to hide his sexual
orientation in recent years, nor his 16-year relationship with
Robert Ross, long-time associate in horseshowing. Indeed, while
baseball and some other sports are still danger zones for GLBT
athletes, the equestrian world doesn’t appear to have huge issues
with sexual orientation. According to a gay friend of mine, whose
horse business gives him a good perspective, remaining homophobes
are likely found among “your redneck backyard Western horse owners.”
What counts with most people is how good you are with horses.
Dover was born in
1956 in the Chicago area, and showed an early passion for riding.
His parents were supportive, giving him his first horse as a Bar
Mitzvah present at age 13. After the Dovers moved to Florida, he was
active in Pony Club for many years. “I did a bit of everything,” he
told me, “but always had a special love for dressage.” His mother
Jean added: “When Robert was a teenager, I never had to worry about
where he was. He was always at the barn…cleaning his tack with my
best olive oil.”
By the ’70s, when
the family moved to Georgia and Dover started college, his awareness
of sexual orientation was not yet on the same planet as his love of
horses. He told me about a significant night in his life:
“After breaking up with a girlfriend, I went out
drinking with a friend who kept his horse in the same barn as mine.
I woke up the next morning with my friend next to me in bed -- a new
life begun. I began slowly to socialize in the gay community during
my time at University of Georgia in Athens, and ultimately joined
the close-knit family of gay students there. I did not connect my
social life to my work life for many years, and while I never ran
away from the issue of my homosexuality, I must admit that I had no
real interest in bringing attention to it, especially with the
press.
“What changed everything was a combination of meeting
my soul-mate Robert Ross, whom I was so proud to be with that I
wanted everyone to know, and the AIDS epidemic which affected so
many people dear to me. Robert and I and a friend, Mason Phelps, a
one-time team rider whose brother had died of AIDS, came up with the
idea of a foundation dedicated to helping anyone within the
equestrian community suffering from HIV or AIDS. Since 1995, the
Equestrian AIDS Foundation has been serving people of all ages
throughout the country. The need to get the word out made the
decision to ‘come out loud and clear’ in my sport very easy.”
He adds: “I am
hopeful that the things which separate our gay community from the
straight community will someday disappear. This can only happen when
we all see that the little differences in people are like the many
colors on a palette that come together to become the beautiful
picture which is life.”
Dover’s family accepted their son’s partner
unconditionally. His mother told me: “We couldn't have picked a more
perfect mate if we had tried. He always keeps us up to date if
Robert doesn't have time, and goes out of his way to be sure all is
well with us. Besides all this, he is a really fun person to be
around. We love him like another son.”
Recently Dover told a Reuters reporter: “I am
fortunate enough to be able to compete in a sport I love as a gay
athlete, and to be open at the same time."
Old World Magic
At the Markopoulo Olympic Equestrian Centre, the
dressage arena waits for Dover and Kennedy. It looks deceptively
simple – a sandy rectangle measuring 20 meters by 60 meters, with a
white line down the middle and a low white barrier around it. A
vaulted roof keeps the fierce Greek sun off spectators. Here, on
Aug. 20, the best riders in the world will begin their battle for
medals.
One by one, wearing formal top hat and tails, they
ride down the center line, halting for a moment to salute the
judges. The men doff their hats – the women just nod their heads
grandly. Then they move into a pre-set sequence of movements at
walk, trot and canter, mirrored in both directions, that lasts
around five minutes. The five judges score each performance, with
deductions for errors by horse or rider. A score higher than 80% is
considered outstanding; the horse and rider with the highest
percentage win.
Olympic dressage is Grand Prix level, the highest
level of difficulty in this multi-tiered sport, and it goes through
three rounds. First, the Grand Prix on Aug. 20 and 22, with all
entries starting. The Grand Prix determines the team medals. Then
the top 25 scorers move to the semifinals, which is the Grand Prix
Special on Aug. 23. The Special’s top 15 go to the finals on Aug. 25
-- the Grand Prix Freestyle. As in figure skating, the Freestyle has
pre-set required elements but allows them to done to choreography
and music created specially for each horse. After the Freestyle, the
coveted individual medals will be awarded.
Spectators stay hushed during each test, to help
horse and rider keep their focus. Cheering explodes only as a rider
makes the final salute and leaves the arena.
Sometimes called “equine ballet,” dressage is so Old
World that U.S. sports fans have been slow to embrace it. In the
1940s many older Americans like myself saw their first dressage
riding at the circus -- Ringling Brothers Barnum & Bailey had its
colorful corps of European horses and riders who wowed the crowd.
After World War II, the performing Lipizzaner stallions of Vienna
toured the U.S. – horse-lover General Patton had saved the breed
from capture by the Russians during the war. Today young Americans
can see dressage in the popular equine show “Cheval,” which has
toured many casinos and show venues. “Cheval” was created by Gilles
Ste-Croix, who also created the Cirque du Soleil.
Unfortunately, all this show business has given many
American sports fans the impression that dressage is circus-y and
antiquated. And yes, even in the horse world, the fur can fly when
people argue “classical dressage vs. modern competitive dressage,”
and whether today’s judging lets down the bars on traditional
excellence. But there’s nothing outdated about it.
The word dressage means simply “training.” It
first developed in ancient Greece, where horses were life and death,
especially as cavalry mounts. In 360 B.C., Greek officer/historian
Xenophon wrote: “If a dancer were forced to dance, she would be no
more beautiful than a horse trained under similar circumstances. The
horse must make the most graceful and brilliant appearance in all
respect of its own will.”
During the Renaissance (14th-17th
century), when Europe was wracked with constant war, dressage saw a
huge surge of innovation as riders developed more movements useful
on the battlefield, and learned more about how to develop a horse
mentally and physically. Today training has a peacetime focus, but
Xenophon’s philosophy still rules – the horse should move in willing
harmony and balance with the rider. As the horse advances up through
10 levels of difficulty, he becomes so supple and obedient, so tuned
to the rider, that he can be geared into dozens of demanding
movements by tiny cues, called “aids,” that are all but invisible to
the spectator.
Some dressage fundamentals are vital to many horse
sports. For instance, when a horse is moving along at a canter, he
has a natural tendency to lead with one or the other front leg. If
he’s leading with the right, and you suddenly ask him to make a hard
left turn, he can only turn handily if he changes to the left lead.
Even at a blistering gallop, a polo pony or racehorse can do a
flying change. But in dressage, this everyday move is elevated into
exquisite art. A Grand Prix horse like Kennedy can unreel a whole
series of them, changing leads with every stride in a light, airy,
effortless manner.
“Horses for courses,” horse people like to say,
meaning there’s a type of equine for anything you need to do.
Dover’s new horse was born for the course he’ll face in Athens.
Kennedy is a warmblood, a type of crossbred horse
that blends “hot” temperament (meaning the high energy of Arabian or
Thoroughbred) with “cold” temperament (meaning the unflappable calm
of heavy breeds). Originally the warmblood was put together as a
light farm horse, coach horse, artillery horse and cavalry mount.
The result: an animal that combined courage and athletic ability
with the rugged frame and bombproof disposition needed for an
officer’s mount or the team pulling a gun limber. Today the
warmbloods, in all their national hues – Dutch, Swedish, Danish,
Russian, Canadian, Australian, etc. – are used mainly for sport.
They so dominate Grand Prix competition that we Americans are
rushing to learn how to breed our own. Germany abounds in regional
strains – Trakehner, Hanoverian, Oldenburg and others.
The FBW in Kennedy’s name tells you that he is a
Baden-Württemberger. In 1989 he was foaled at Marbach, one of
several state studs with long distinguished histories. Marbach is
located in the former duchy of Württemberg, on the green slopes of
the Swabian Alps. Founded in 1573 to provide the duchy with better
farm and army horses, Marbach later re-tooled for sport horses,
refining the old strain with Trakehner, Thoroughbred and especially
Arabian. Last year, Breeding News pointed to FBW Kennedy as a
prime representative of the Bad-Wü studbook, noting, “He always
places in the Top 10 at world and European championships.”
Dressage is gaining in popularity in the U.S.
In addition to new young riders, one seasoned gay observer tells me
there’s a stampede of older women riders into the sport. He says:
“They’ve gone as far as they can with Western riding, and they’re
too old to start with show jumping. So they go for dressage. They
like the challenge of advancing through the levels. And yeah, a lot
of them are lesbians.”
While many Olympic sports are dominated by the teen
athlete (like gymnastics and figure skating), dressage typically
belongs to the mature horse and rider. At 48 and 15, Dover and
Kennedy are at their prime, like a fine Napoleon brandy.
“Cutest
Horse at the Games”
A year ago, FBW
Kennedy still belonged to Danish team rider Lone Jörgensen.
In 1997 Jörgensen
and her business partner Ulrich Eggers had gone looking for a new
horse, and spotted the 8-year-old gelding at a Marbach auction. The
following year, when Dover was at the 1998 Munich Grand Prix, he
first noticed the fiery red chestnut with his four flashy white
socks and his joyous, buoyant way of going. “I loved this horse,”
Dover told me. Over several years, from a distance, he hungrily
watched Kennedy develop into one of the top-ranked Grand Prix horses
in the world. It wasn’t just the horse’s talent that appealed, but
his enthusiasm and eagerness to learn – what dressage people call
“work ethic” in a sport horse.
Dover found an
opportunity to tell Jörgensen that he would be interested in Kennedy
if she ever wanted to let him go.
By then Dover had
gone to the Olympics on several warmbloods, starting with
German-bred Romantico, who carried him to sixth place for the U.S.
team at L.A. in 1994. At Sydney in 2000, he had Rainier, a grey
Oldenburg owned by his sponsor, Jane Forbes Clark. Horses of this
caliber are typically owned by wealthy families or patrons, who
lease them to riders or simply make them available. In a sport where
a hot young prospect can sell at auction for $250,000, a top-ranked
Grand Prix horse can sell for millions.
Sydney 2000 was
Dover’s fifth Olympics. Though Rainier was young, Dover made good
rides on him and helped the U.S. to win a third team bronze. But
once more the Germans and Dutch kept the U.S. off the individual
victory podium. Germany’s Ulla Salzgeber and her Latvian warmblood,
Rusty, took the individual bronze.
After Sydney,
Dover felt that he was at a crossroads. His sponsor was going
through changes too – Clark had resigned from her positions with the
USET, to take on chairmanship of the National Baseball Hall of Fame
and Museum. Clark did assure Dover that she’d continue to be a
supporter.
On an impulse
Dover decided to retire, so he could relax into private life with
partner Robert Ross at their country home in Wellington, Fla.
For a while,
things went well. Dover stayed busy -- doing dressage clinics for
USET team members and private students at the nearby Palm Beach
Equestrian Center. That part of Florida is such primo horse country,
with a balmy climate that allows year-round training outdoors, that
a major dressage circuit was springing up there. Students flocked to
Dover – he was one of the few international-level riders teaching in
the U.S. Dover and Ross also started construction on a second home
in New York, plus an addition on their Florida home. Rainier, still
owned by Jane Clark, went off to be ridden by another U.S. team
member.
Meanwhile Kennedy
was busy on the show circuit, gaining a big reputation. At the 2002
World Equestrian Games in Jerez, Spain, the chestnut gelding didn’t
win a medal for Jorgensen, but he did win attention – even amid all
the glittery showcasing of Iberian horse breeds. HorsesDaily
wondered if Kennedy was “the cutest horse at the Games.” Their
reporter went on: “Though most riders are not partial to the word
'cute' when it comes to their Grand Prix horse, this one certainly
fits the bill in the most complimentary way. FBW Kennedy’s movements
are shown off to best advantage by his four dazzling white
stockings.”
A Time for
Mourning
But in 2003, the
roof suddenly fell in on Robert Dover’s world. He told me:
“First my father
was diagnosed with an aneurysm. With only fair chance for his
survival, we waited through the surgery. All went well with my Dad.
But then a CAT scan revealed my mother to be in fifth-stage small
cell lung cancer (though she never smoked a day in her life), which
had already metastasized to her bones. We were completely shocked,
as she had shown no symptoms of such a severe disease. A specialist
concurred with her oncologist and gave her very little time left.
“This was now May
of 2003 and I proceeded to go into mourning which was basically very
little help to anyone. My Dad, meanwhile, was diagnosed with early
onset of Alzheimer’s. My builder, who was supposed to be finishing
my house in NY, ran off with $350,000 of my money. With all this, I
threw my back out for the umpteenth time and that was pretty much
the last straw. I withdrew into my very dusty, livable part of my
house and didn't come out for weeks. People sent me books on death
and dying, which actually helped a great deal. But if not for my
amazing best friend and lover of 16 years, I am not sure if I could
have come through it.
“With Robert’s
help as well as the help of friends and family, I decided to look on
this experience with my folks as an adventure through which we would
go together. They had voiced many times their opinion that I should
not have so hastily ended my show career, and I knew it would make
them very happy if I would go for one more Olympics.
“I started to
think more seriously about it when, in September 2003, I heard that
Kennedy might be for sale. Lone had done extremely well with him but
had difficulties with her federation over funding and, therefore,
invited me to come try him. I decided to call my longtime sponsor,
Jane Clark. Jane told me to get on the next plane. Three days later,
Kennedy was ours.”
Imagine a
basketball player of Michael Jordan’s caliber switching from the
U.S. team to the team of a rival country just months before the
Games. It would make the same wave as this horse did when he changed
flags. “FBW KENNEDY SOLD TO THE UNITED STATES” was the dismayed
headline in EuroDressage.
The third week in
September, Kennedy arrived in New York on a KLM flight. The American
horse world buzzed. Robert Dover was making a comeback – and he was
making it on his best horse yet. But first he had to qualify for the
2004 Olympics. Asked by a reporter if it got any easier making the
U.S. team after five Olympics, he said, “Definitely not. It's gotten
harder. The competition is fierce.”
“Olympicitis”
In October 2003,
DressageDaily reported: “As the 2004 show season is rapidly
approaching, ‘Olympicitis’ has started to spread wildly amongst
dressage riders worldwide. Undoubtedly the sale of Denmark's number
one Grand Prix dressage horse FBW Kennedy to Jane Clark has been the
first, major symptom of Olympic Fever rising.”
To qualify, Dover
and Kennedy would have to complete at least two U.S. Grand Prix
qualifying competitions. The pair would also have to get
certificates of current Olympic eligibility from the FEI (Federation
Equestre Internationale, the world governing body of horse sport).
This would include scores of at least 63% from at least two
non-American FEI judges.
Dover spent the
next two months quietly training at home. He told me: “I have had a
great time riding Kennedy, who is more clever than any horse I have
ever met. Beyond his amazing athleticism and his fantastic
obedience, I am sure that the reason he has been and continues to be
so successful, is that he definitely knows he is loved! He is so
happy every day and is so self-confident without being overpowering,
that everyone can see the joy he takes in his work. It is truly an
honor to ride such a horse, and I have Jane, my parents and Robert
to thank for it.”
Not till November
2003 did Dover and the striking chestnut made their debut at the 119th
National Horse Show in Wellington, Fla. A big crowd had turned out
to see the pair, who wowed them by winning the Grand Prix Special.
Jane Clark told the press, “I’m looking forward to two or three
years of Robert competing on him. To me it’s not about just the
Olympic Games or whatever, it’s about going to the ring with someone
with a big smile on their face like he did today.”
Dover told
DressageDaily: "My parents both have been very ill during this
last year and this has been a big boost for them, which makes me
very happy.”
After that came a
couple of local shows, so the two could get in more mileage
together. U.S. dressage coach Klaus Balkenhol, himself a 1992
Olympic bronze medalist for Germany, was there for support. At the
USET Grand Prix, the first qualifying event for the U.S. Olympic
trials, Dover and Kennedy won again, becoming the 2004 USET National
Champions. Along the way, international judges gave the duo those
high scores needed for FEI certification.
By June, when Dover and Kennedy hit the U.S. Olympic
Selection trials at San Juan Capistrano, Calif., with all the other
potential team members battling to be on the short list for Athens,
“Olympicitis” was at fever pitch. The biggest crowd ever to attend a
U.S. dressage show packed the stands. Would the brand-new pair hold
up? Kennedy started answering that question by winning the Grand
Prix and the Grand Prix Special.
Dover said, “You know, every single time I go in with
that horse, he never ceases to amaze me. His heart is so amazingly
wonderful and his work ethic is fantastic.”
By the time the
pair reached the Grand Prix Freestyle, DressageDaily was
reporting: “Guenter Seidel on Aragon and Steffen Peters on Floriano
had exceptional rides, creating an electric atmosphere, but Dover
and Kennedy marched down the center line, saluted and never looked
back.” The two danced through their choreography to a recorded
medley that Dover calls “Kennedy’s Music.” A friend of mine was
watching in the crowd and later told me, “Kennedy was awesome …
majestic, full of energy and power.” The judges gave the ride a
resounding 81.700%.
Dover said
afterwards: "I had not ridden in this kind of environment or climate
with this horse until then. I was so thrilled with him that I was on
a high right after.”
Meanwhile, healing was happening in Dover’s private
life. He told me:
“My Mom had gone through two rounds of chemo,
unsuccessfully. I had heard of an experimental drug called Arissa.
It is not a chemotherapy but rather a new-age drug which, in 10% of
the people it is given to, has had good effects. We got my mother on
this drug in the trial stage. It has reduced the cancer to a fine
line of what it was. Truly a miracle from God! My Dad is on
medication, which is also rather new, and he is having a lot of fun
in the moment. Houses are now completed.”
When the USET announced its short list of six, Dover
was on it. So were Debbie McDonald, Guenter Seidel and Lisa Wilcox.
McDonald and her Hanoverian mare Brentina were ranked #1 in the U.S.
Steffen Peters and Leslie Morse were listed as
alternates/substitutes. But it wasn’t a done deal. The six pairs
would continue vying at an international show -- the mammoth World
Equestrian Festival (CHIO) at Aachen in July. After the CHIO, final
selection of four U.S. pairs would be announced on July 19.
U.S. coach Balkenhol agreed that it was a strong
team, but said there was a long way to go before Athens. His
training focused on helping each pair add potential points to their
scores.
For Dover and Kennedy, the comeback cliffhanger would
continue.
'A Duel of Giants'
In late June the U.S. equestrian team flew to Europe and continued
training. Their base of operations was Balkenhol’s farm in Coesfeld,
a small town near Düsseldorf. Dover e-mailed me from Coesfeld. He
said: “Robert is coming back and forth every two weeks to visit, as
we have never been apart for more than two weeks at a time since we
got together 16 years ago. It works best for our relationship to do
so.”
Then the team hauled their horses to Aachen for the CHIO. On July
13, Dover e-mailed me again:
“All the Olympic teams from all the
countries, save for a few, are competing with the same panel of
judges who will officiate in Athens. It is exactly like the Games
themselves, only much bigger, with loads of pomp and circumstance. I
ride today at 3:28 pm on Kennedy. It is very exciting! Jane Clark is
coming later today and will miss my first ride here but, I hope,
will see me in the next class. My family is waiting to come to
Athens. Robert is here and is doing the usual masterful job of
putting up with my show nerves.”
Pressures were intense. It was the first time Dover had ridden
Kennedy in world competition, which possibly accounted for Dover’s
“show nerves.” For everyone non-German, there was the daunting
circumstance of playing on the Germans’ home court.
Europeans love horse shows the way Americans love the Super Bowl.
Each day, an average 50,000 spectators flooded the show grounds,
including noisy fan clubs of a dozen riders. In the Deutsche-Bank
Stadium, the first Grand Prix event got underway -- the two-day
Nation’s Cup for the team awards.
What Dressagedaily.com called "a duel of giants" shaped up as the
two top-ranking horses in the world met for the first time --
Germany’s Rusty and the Netherlands’ Gestion Salinero. As the two
duked it out, German fans waved flags and placards and erupted with
fierce partisan applause when their adored Rusty left the ring.
Amidst the uproar, Dover and Kennedy were fighting to do their best.
True to his record, Kennedy carried his rider into the Top 10 – the
two placed ninth in the Nation’s Cup. Debbie McDonald
and Brentina took fourth. The seemingly inevitable German victory
went to Ulla Salzgeber and Rusty. And the seemingly inevitable team
bronze went to the Americans.
On Saturday, Kennedy and Dover advanced to the Uniroyal Grand Prix
Special. This time Salinero scored an upset over Rusty, amidst wild
ovations from his own adoring fans. Once again Dover and Kennedy
placed ninth. This put them in the final round -- the
Deutsch Bank Grand Prix Freestyle for the top 15 finalists.
Next day, with the show’s attendance now topping 200,000, Salinero
nabbed another win with a monster score of 83.650. This victory made
him CHIO dressage champion and – for the moment -- Numero Uno in the
whole world. Rusty placed second.
Once again Kennedy and Dover took
ninth place with 75.775%. Weighed against the other U.S.
performances, was it enough to get them on the team?
The next day, July 19, the USET’s press release went out. Dover,
McDonald, Siedel and Wilcox would go to Athens.
On Aug. 18, Dover’s parents will fly to Athens to join their son and
his partner and his amazing horse. As I finish this article, the
world’s four-legged champions are moving restlessly around in their
roomy box stalls in the Marcopoulo Centre. Misting fans keep them
cool in the searing heat. Surely they’re picking up on the human
tensions in the air – not just show nerves, but the political
concerns about terrorist attacks on the Games, and the Greek
government’s concern that tourism has been frightened away. Ticket
sales have been slow.
Whatever the future holds for this valiant team of man and horse,
Robert Dover faces it with that attitude that makes him so respected
in the horse world. He told me, “I'm shooting to do the best
possible job with this horse as I can, and help the team every way
that I can. I am hopeful and confident that it will be a very
successful games for all, particularly the American Team.”
In the past, dressage has often been passed over by
Olympic coverage. But this time the NBC networks promise us
unprecedented coverage of every event, 24 hours daily. Outsports
readers wishing to get more familiar with dressage can find re-runs
of shows and clinics on RFD-TV (available on Dish Network and Direct
TV). Consult program scheduling at
www.rfd-tv.com. Major shows like the CHIO Aachen may have
websites and live streaming video available.
Further online reading:
Robert Dover bio
Robert Dover career highlights
TV broadcast
information for Olympic equestrian events:
http://www.usef.org/olympics/2004/schedule.php
http://www.horsesport.org/fei/pdfs/reference/03_02/olympic_schedule-2004.pdf
Equestrian AIDS Foundation
Dressage competition essentials
Overview of Olympic equestrian
events
Robert Dover teaching dressage
in Florida
Interview with Robert Dover
Lipizzaners and “Airs Above the
Ground”
Patricia Nell
Warren, author of the 1974 bestselling sports novel The Front
Runner, competed in various amateur equestrian sports in her younger
years – from 4-H rodeo, o-mok-see and barrel racing in high school
in Montana, to gaited horses while in college in Missouri, and
finally some hunter and jumper showing in the Northeast during the
1970s.
Aug. 4, 2004 |